Artistic Director – Karen Therese
Karen Therese grew up in Mt Druitt in Western Sydney, her cultural heritage is Hungarian-Australian. She is an interdisciplinary artist, creative producer and cultural leader. Her practice is grounded in performance, political activism and community building with a particular focus on underground youth cultures.
In 2010 Karen was awarded the inaugural Cultural Leadership Grant by The Australia Council’s Theatre Board to investigate innovative curatorial practices across diverse cultures and art forms, with a vision to embed her practice within Western Sydney. Since then Karen has created and produced significant works for the region. As the recipient of the Creative Producer Fellowship from the Australia Council’s Community Partnerships Board she created ‘FUNPARK’, a large-scale site based event in Mt Druitt for the 2014 Sydney Festival. Karen also directed the youth led performance Mt Druitt Press Conference performed at ‘FUNPARK’ and the Museum of Contemporary Art (MCA).
In 2013 Karen became the Artistic Director of Powerhouse Youth Theatre (PYT) in Fairfield, developing a dynamic new arts program for the Western Sydney region.
Alongside this Karen is the current 2015 Studio Artist for Griffin Theatre and works independently as an artist and curator. She has worked extensively both nationally and internationally as an Artist and/or Creative Producer for companies such as PS122 (New York), The Centre of Performance Research (New York), The Museum of Contemporary Art Australia, Campbelltown Arts Centre, Performance Space, Blacktown Arts Centre and PACT Theatre for Emerging Artists. She is a graduate of the Victoria College of the Arts (Animateuring) and holds a Masters by Research (Creative Arts) from Wollongong University and was the recipient of a Post Graduate scholarship.
General Manager – Amanda Wright
Amanda Wright is an arts leader and manager with experience working across theatre and multi-arts. She has previously held roles as the General Manager of Shopfront Youth Arts, the Venue Services Manager at Merrigong Theatre Company, and in a brief stint working in the business world, as the Operations Manager for Ideal Gyms. Amanda is on the board as Treasurer of Crack Theatre Festival. Amanda is skilled in finance, business administration, project management and producing. She is passionate about working with young people in the arts, and access to the arts as a democratic right for all young people.
Amanda holds a Bachelor of Creative Arts in Performance (UOW); a Master of Arts in Theatre (UNSW) and is currently studying a Master of Financial Analysis (UTS).
Associate Producer & Administrator – Caitlin Gibson
Caitlin Gibson is an early career producer with a particular focus on community arts programming and radio broadcasting.
Caitlin holds a double degree in Fine Arts/Arts from the University of NSW and a Graduate Diploma in Journalism from the University of Technology Sydney. She is passionate about facilitating creative programs that engage diverse communities and tackle complex, social ideas. She produces arts content for Sydney’s only youth focused radio station, FBi 94.5. And for two years has also hosted the arts and culture show for 2Ser Community Radio, bringing the city’s best creative people and projects to a wider audience each week. Caitlin produced events for the 2014 Vivid Ideas festival, and is the General Manager of ElectroFringe, a not-for-profit arts company that works with experimental and new-media artists to present a diverse range of events, workshops, exhibitions and partnerships.
Business Strategy Consultant – Vicki Middleton
Vicki Middleton is an experienced arts manager who has worked in the performing arts industry for 20 years. In 1994 Vicki co-founded Frantic Assembly, which quickly established itself as one of the UK’s most critically acclaimed physical theatre companies. During her ten years with Frantic, Vicki produced and promoted all new work and special projects and produced Frantic’s works in over 30 countries throughout Europe, North & South America, the Middle East, Asia and Africa. In 2004 at the age of 31, Vicki was featured in The Guardian newspaper as one of the UK’s top 9 producers. In 2004 Vicki moved to Sydney, taking up post as General Manager of Legs on the Wall, Australia’s leading physical theatre company before being appointed General Manager of Sydney’s much loved Belvoir Street Theatre in 2007. In 2009 Vicki establishing Middleton Arts, an Arts Management Consultancy service providing a broad range of arts focused expertise to Australia’s performing arts organisations. Middleton Arts specialises in international market development and touring, and solution based services from strategic business planning through to organisational reviews and audits. Clients have included Meryl Tankard, Australia Council, Sydney Theatre Company, Playwriting Australia, Force Majeure and Monkey Baa Theatre Company.
Finance Consultant – Jocelyn Payne
Jocelyn is the owner of Illuminated Arts Consulting, which provides financial and project management services to not for profit arts organisations, primarily in Sydney Australia. She has vast arts administration experience that includes General Manager of version 1.0 (2010-12), Business Administration Manager for Sculpture by the Sea (2003-2005) and Administration Manager for Museums and Galleries Foundation of NSW (1999-2002). She holds a Masters in Art Administration from the University of NSW.
Development Consultant – Helen Salmon
Helen Salmon is a Producer and Arts Development Strategist whose clients have included Sydney Festival, The Royal Botanic Gardens and Domain Trust, Playwriting Australia, Sydney Fringe Festival, Powerhouse Youth Theatre, Sargood Foundation and Monkey Baa Theatre Company. She is Producer, Event Programming at Sydney Harbour Foreshore Authority (SHFA), currently working on Nomanslanding, an international public artwork that premieres in 2015 in Sydney for the Centenary of ANZAC, followed by the Merchant City Festival in Glasgow, and the Ruhrtriennale in Germany. She was the Head of Development for the Royal Court Theatre in the UK (1999-2005) and has been a Board Director for International Theatre Institute, British Centre (1996-1999), Playwriting Australia (2008-2012) and currently Monkey Baa Theatre Company. She is also currently on the Development Advisory Council of Playwriting Australia. Helen is a Fellow of The Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA) and was awarded in 2011 the Perpetual Foundation scholarship to the Australian Institute of Company Directors Not for Profit Board Director’s Program.
Chair: Bec Dean
Curator and Writer, Performance Space, Currently PhD candidate UNSW Art & Design
Treasurer: Rob Fallon
CPA, Manager, Business Performance Reporting – Service Area Finance
Financial Management Group, Macquarie Group Limited
Stephen Boyle & Co
Media and Entertainment Law